Bernardo Daddi - inv. 3195

Titolo: 
Portable, Double-Sided Cross
Numero di Inventario: 
3195
Tipologia: 
paintings
Collezione: 

Painting

Classe iconografica: 
Religious
Parole chiave soggetto: 
Jesus Christ
Virgin Mary
Saint John Evangelist
Motivo attribuzione: 
bibliography
Autore, ambito, luogo di produzione: 
Bernardo Daddi (active 1312/1320-1348)
Ambito e luogo di produzione: 
Firenze
Florence
Toscana
Tuscany
Italy
Libri correlati: 
Pubblicazione: 
Si
Periodo: 
1300
Datazione specifica: 
1335-1340
Materia e Tecnica: 
tempera on panel
Data di Ingresso: 
1932
Tipo di acquisizione: 
acquisition
Tipo di collocazione: 
on display
Collocazione: 
14th Century Room
10
Codice audioguida: 
189

This a masterpiece from the mature years of Bernardo Daddi, a painter from Giotto’s school working in Florence during the second quarter of the 14th century.
This type of cross, with holy images on both sides, is called ‘astile’, because it was shown to the faithful during processions and other public ceremonies, held on a long pole. On one side Daddi Painted three beheaded saints kneeling: at the top, Saint Paul, with a long black pointed beard and bald head; on the left, Saint James the Great; on the right, Saint John the Baptist, with unkempt hair and beard, his face emaciated and ascetic. The presence of these unusual macabre images indicates that the cross was originally destined to comfort those condemned to death.

In past centuries, groups of people gathered together in confraternities, assumed the task of taking religious comfort to those condemned, attempting to persuade them to accept death in a Christian spirit, following the example of Jesus and the martyrs. The Dominican saints depicted at the bottom, Saints Peter the Martyr and Thomas of Aquinas, indicating that the confraternity that commissioned this work was supported by the preacher friars. On the other side of the cross, the more traditional images of the Virgin Mary, Saint John the Evangelist and the Redeemer are accompanied by the unusual figure, at the bottom, of a skeletal corpse, probably the condemned person himself, dressed in a black tunic for execution.
This cross is one of the earliest examples of paintings for comforting the condemned. The typology was very rare in the 14th century, but much more common in the 15th and 16th centuries.

Masterpiece: 
false
Url Audio: 
http://www.museopoldipezzoli.it/audioguide/en_Bernardo_Daddi_Croce_astí_le.mp3
AC/DC: 
DC